Brief
Produce designs for a set of three high impact posters that deliver a personal identified message derived from your research into part one of this brief.
The three posters should work as a set or series and be visually consistent. The first must be produced solely using type, the second solely with image and the third a combination of both type and image.
Background/ Considerations
- Focus on what you are trying to say and avoid generalisations and vague messages.
- Keep it simple and to-the-point.
- Are you making a statement, delivering facts or posing a question?
- You should consider and investigate a broad range of possible visual solutions before making your design decisions.
- Tone of Voice.
- Memorable, immediate high impact and clarity.
- Challenging, potentially controversial but appropriate and not offensive.
- Factual, statistical, informed and specific.
Mandatory Requirements
Each poster should be supported by comprehensive visual research into frame, format, composition and content.
Use notebooks to document your ideas. Use worksheets to develop your visual investigation.
Deliverables
You are restricted to the use of two colours plus stock.
Three posters (2:1 format) presented at a3 scale (but not a3 format)
Studio Deadline: Friday 9th November 2012
Module Deadline: 23rd November 2012
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Further Research required for ideas and development for 3 posters:
Through this images, I tried to inspire myself with contemporary ways of using a limited colour scheme:
Again, the two contrasting opinions could be portrayed in two different people/ characters. This simple imagery could be an interesting concept to communicate my message. |
(minus the bicycle) the use of type as the main graphic can fill the element lost when the image is taken away. I really like this layout and how all of the typography fits together consistently. |
Investigating into layouts with type and image:
How can censorship be subtle? Looking at different ways of hiding/ censoring content:
Typographic use of the asterisk:
How can symbolism tell a story/ message?:
These are really clever designs in that they communicate a message with type as the image. Although I'm not entirely sure what I could do that would connect to my message. |
Looking into ornate styles for my Storybook style for Snow White/ Jack and the Beanstalk ideas:
The intertwining, sketchy style is typical of traditional typography. Perhaps the incorporation of banners and serif typefaces could enhance my own designs. |
These novel covers by Jessica Hische are beautiful and innocent in design. The perfect layouts and simple vector images are good inspiration for my storybook style designs. If graffiti were to be applied to this, it would ruin it, in the same way that arguably political correctness can implicate free speech.
Research into Book Of Hours/ Biblical styles for bible quote:
These visuals for the book of hours can have the same effect as the storybook cover designs. They could be graffiti'd on with a statement about political correctness. If I am to portray this style, the inclusion of floral themes, blackletter text and an oversized drop cap is essential
Research into 50s photography with potentially sexist themes:
This image would be perfect because it only uses 1 colour and half tones, and is clear about the subject matter: a housewife enjoys cooking food in this image. |
Banksy: the lifestyle you ordered is out of stock (inspiration for my idea: Sorry! The freedom you ordered is currently out of stock)
Nudity in Disney Characters:
This image clearly shows the fact that donald is nude from the waist down and so would be a good image to use for this idea. |
Again, these past two images of Minnie clearly show her underwear and could be effectively used in my campaign, perhaps with a censor bar? |
Old Bear Stories: traditional innocent child-aimed illustration:
Old traditional illustration of children's books is sweet and innocent. Could this same, sketchy style be applied to a gollywog toy? Would it have the same heart-warming feeling to the reader? |
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